Our Garden

Our Garden looked like this in 2013!

auntyutaUncategorized  January 15, 2013 1 Minute

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Just before Christmas we planted something new at the side of our house which belongs to our private backyard. Now, after less than one month, we took some new pictures of our plants who amazingly survived pretty well the 41 C heat last Tuesday. When you compare the picture of the plants when they were little with the pictures what they look like now, you can see the growth that has occurred is very remarkable.

This is a trial post for inserting new pictures. I was finally able to upgrade my post. My VISA debit card wasn’t accepted. Peter helped me out with PayPal. This worked all right. It’s a great feeling to be able to publish some new pictures!

The visit of the Queen of Sheba to King Solomon 1890

https://www.artgallery.nsw.gov.au/collection/works/898/

On the way to see the Queen of Sheba we also saw this picture:

https://en.wikipedia.org/wiki/On_the_Wallaby_Track

On the wallaby track
Frederick McCubbin - On the wallaby track - Google Art Project.jpg
Artist Frederick McCubbin
Year 1896
Medium oil on canvas
Dimensions 122.0 cm × 223.5 cm (48.0 in × 88.0 in)
Location Art Gallery of New South WalesSydney

On the wallaby track is a 1896 painting by the Australian artist Frederick McCubbin. The painting depicts an itinerant family; a woman with her child on her lap and a man boiling a billy for tea. The painting’s name comes from the colloquial Australian term “On the wallaby track” used to describe itinerant rural workers or “swagmen” moving from place to place for work.[1] The work has been described as “among the best known and most popularly admired of Australian paintings”.[1]

A print of it hangs above our bed. Since we have prints of both of these paintings we are very familar with them and are always overjoyed when we are able to see them again at the Gallery.

This year it was a very brief visit of us to the Art Gallery. But it was worth it. It was very good that our daughter could take us there.

Our Visit to the Art Gallery of NSW

Our daughter took us to the Art Gallery on the 4th of July this year. On the pictures, that Caroline took, you can see that I now ‘advanced’ to a walker! My walker is actually a ‘rollator’ and has wheels so it can be pushed. I can walk very well with it. Gives me some kind of balance. The good thing is that this rollator can be folded and fits into the back of the car.
In Google it says: “Do I Need a Walker or Rolling Walker? Walkers are needed for a myriad of reasons. If you experience shortness of breath, arthritic pain, or can’t walk and carry objects at the same time. If you are afraid of falling, being alone and becoming socially isolated, you may need a walker.”
I must say the reasons why a Walker is needed, do all apply to me, all of them! To buy such a thing was really an excellent decision for me. Now I can go out on daily walks without having to be scared of falling and also being able to take a rest whenever I feel getting out of breath.
Without Caroline’s help we probably would not have made it to the Gallery on that day. We stayed with Caroline and Matthew in Sydney from Friday night to Saturday on that weekend. It was great to spend some time with them. But we observed ‘social distancing’ with them as much as possible!
Caroline and Matthew live in Marrickville. Peter did drive there from Dapto and back the next day. It is good that for the time being he still has his license for because of the virus we would not like to go on public transport.
Caroline offered to drive us to the Gallery, this is why it was not a problem to get there. Also, we stayed there only for a very limited time. Caroline was able to park right in front of the Gallery, which was lucky.
The above mentioned pictures Caroline sent me in an email. But sorry, so far I was not able to transfer them from the email to this blog. Maybe I can do this another time.
I published here an update from the Gallery regarding Covid-19:

Our Daughter Gaby in three Pictures

Acceptance, Resilience and Strength!
Today we remember our daughter Gaby. On this day eight years ago we received the sad news of her passing from this life to Eternity. We are still sad that she is gone, but I don’t think we are grieving anymore. She mastered her life in a great way. A while ago I saw someone on TV saying that a disabled person needs three things to make a go of her or his life: acceptance, resilience and strength. Gaby had buckets of it. In the words of Johann Wolfgang von Goethe, we are responsible for the climate around us. She lived her own life and created a climate around her in which so many people felt they are in the presence of a remarkable person. She had accepted the conditions of her life and had the resilience and strength to act accordingly.
Look at her face in the first picture it is very mischievous.
In the second photo, she is not even one year old but showing already signs of her outward-looking and inquiring mind.
The third picture was taken after a great night out with a friend of hers.
In all three pictures, there is nothing sad about it. We are so happy that we were able to share our life with her. We still love her so much. RIP Papa and Mama
Peter wrote the above today. Here are the three pictures:
PS: When the last picture was taken, Gaby was already close to her 55th birthday!
I think in the first picture she is 50 years . . . .

With Love from Gaby, Dave, Bonnie & Clyde

This is a copy of what I published July 12, 2014. I did try to reblog it but this time this did not work. This is why I copied the whole lot. It does bring back memories!

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Gaby came down with poliomyelitis on her fourth birthday. That was in 1961. When she was 32, in 1989, she left institutional care and moved into her own home in Merrylands West, a Western suburb of Sydney. David (Dave) became her full time carer. But as a quadriplegic with breathing difficulties who needed to sleep in an iron lung, she needed several people to come in on a daily basis to look after her diverse needs.

Anyhow, Gaby was happy to leave the home for disabled people and move into her own home. 40 year old David did for nearly twenty years a marvellous job in doing whatever he could for Gaby. But in the end his health deteriorated more and more. It became impossible for him to the the things for Gaby he would normally have to do as her carer. It was a rather sad situation. Gaby knew that David needed help but she did not know how to provide this for him.

Gaby and David both loved animals. Soon after moving in Gaby acquired a companion dog provided by the people who train dogs for blind people. Dave liked that dog too. They called her Bonnie. A cat named Clyde became Bonnie’s companion. Gaby just adored her animals. They were like her children. She always saw to it that they had everything they needed.

Gaby with Bonnie
Gaby with Bonnie

Gaby with Clyde
Gaby with Clyde

Bonnie and Clyde in front of the gas heater
Bonnie and Clyde in front of the gas heater

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Bonnie is being spoiled!
Bonnie is being spoiled!

I happen to have still a Christmas card from Gaby and Dave with a calendar for 1998 in it. The card came with a book: A Tolstoy biography by A.N. Wilson, first published in Great Britain in 1988. This is a great reference book and a great read. Gaby chose this book for me as a Christmas gift. She did choose very well. She always took great care to choose gifts for all the family for birthdays and for Christmas. Of course her funds were limited. So she always looked for bargains. Quite often her choices were astoundingly good.

This is the outside of the card.
This is the outside of the Christmas card.

And this is the inside of it.
And this is the inside of it.

Gaby moved her electric chair with her chin, she used her mouth stick for phone and computer.
Gaby moved her electric chair with her chin, she used her mouth stick for phone and computer.

Here she looks like having grown up a bit more.
Here she looks like having grown up a bit more.

Here she is in her bedroom getting ready for the day.
Here she is in her bedroom getting ready for the day.

After Gaby lost Clyde, she did get a new kitten.
After Gaby lost Clyde, she did get a new kitten.

Blackie, the kitten, grew into this.
Blackie, the kitten, grew into this.

Gaby is having fun seeing Father Christmas.
Gaby is having fun seeing Father Christmas.

Sadly Gaby lost Bonnie. She was lucky that after some time she was given a replacement dog which she called ‘Honey’.  Honey was quite skinny at first but soon filled out a bit.

Gaby can celebrate Christmas 2003 with companion dog Honey.
Gaby can celebrate Christmas 2003 with companion dog Honey.

STAN GRANT’S SPEECH ON RACISM IN AUSTRALIA

https://mannerofspeaking.org/2016/01/26/stan-grants-speech-on-racism-in-australia/

Stan Grant, an indigenous Australian journalist, gave a speech in October 2015 at a debate on racism in Australia. The video of that speech has gone viral.

Stan Grant
Stan Grant

Several people are touting it as the Australian equivalent of Martin Luther King’s I Have a Dream speech. While I would not elevate this speech to that status—and Grant himself has said that, while he is flattered, he is “not in any way worthy of that sort of comparison”—it is an excellent speech. Forceful, hopeful, compelling, moving.

Interestingly, Grant apparently delivered the speech off-the-cuff.

I didn’t want to write anything, I didn’t want to be standing there looking down at notes. I just wanted to look people directly in the eye. I wanted to make a statement about how we live with the weight of history.

He succeeded.

What I liked

  • Grant was right to stand behind the lectern. Usually, a speaker should be out in front of the lectern so as to shrink the distance between himself and the audience. But certain occasions mandate the use of a lectern. A debate such as this is one of those times.
  • He has great eye contact throughout the speech.
  • Grant’s voice was powerful without being overbearing. He maintained a good pace and he excellent pauses.
  • He uses good hand gestures to emphasize his points. Even when he holds his hands together (starting at 1:05), it works well. Typically, speakers want to adopt and open posture and not hold their hands together; however, this is a good example of an exception to the rule.
  • He anchors his speech by returning to a phrase, “The Australian Dream”, 11 times. This certainly has echoes of Martin Luther’s King’s speech in front of the Lincoln Memorial. In that speech, King invoked the phrase “I have a dream” eight times.
  • He uses alliteration to frame his arguments: “We heard a howl. We heard a howl of humiliation that echoes across two centuries of dispossession, injustice, suffering and survival.” / “The Australian Dream is rooted in racism.”
  • Grant tells personal stories of his family members and the indignities that they suffered, whether they were indigenous or white. He thereby enhances his own credibility when it comes to the subject of racism in Australia.
  • Grant is humble in crediting his success to his family members who came before him.
  • He uses statistics to support his arguments. “My people die young in this country. We die ten years younger than average Australians and we are far from free. We are fewer than three percent of the Australian population and yet we are 25 percent, a quarter of those Australians locked up in our prisons and if you are a juvenile, it is worse, it is 50 percent. An Indigenous child is more likely to be locked up in prison than they are to finish high school.”
  • Grant invokes passages from important Australian songs and poems—the Australian National Anthem and Dorothea Mackellar’s My Countryand then uses antimetabole to show how the state of indigenous peoples in Australia has been the opposite of what is praised in song and verse.

We sing of it, and we recite it in verse. Australians all, let us rejoice for we are young and free. My people die young in this country. We die ten years younger than average Australians and we are far from free.

I love a sunburned country, a land of sweeping plains, of rugged mountain ranges. It reminds me that my people were killed on those plains. We were shot on those plainsdisease ravaged us on those plains.

  • He uses commoratio to emphasize the disdain and hatred with which the British regarded the indigenous peoples of Australia:

And when British people looked at us, they saw something sub-human, and if we were human at all, we occupied the lowest rung on civilisation’s ladder. We were fly-blown, stone age savages and that was the language that was used.

  • Notwithstanding the foregoing, Grant sounds a hopeful note by appealing to the higher instincts of Australians.

The Australian Dream. We’re better than this. I have seen the worst of the world as a reporter. I spent a decade in war zones from Iraq to Afghanistan, and Pakistan. We are an extraordinary country. We are in so many respects the envy of the world.

Of course racism is killing the Australian Dream. It is self evident that it’s killing the Australian dream. But we are better than that. The people who stood up and supported Adam Goodes and said, “No more,” they are better than that. The people who marched across the bridge for reconciliation, they are better than that. The people who supported Kevin Rudd when he said sorry to the Stolen Generations, they are better than that. My children and their non-Indigenous friends are better than that. My wife who is not Indigenous is better than that.

  • He concludes by returning to the line from the Australian that he referenced at the beginning. He thus has a circular ending. But more than that, he emphasizes the word “all” to show his hope for the future:

And one day, I want to stand here and be able to say as proudly and sing as loudly as anyone else in this room, Australians all, let us rejoice.

Congratulations, Stan Grant on your excellent speech. Here’s hoping that it leads to some positive, concrete steps in your country. And elsewhere.

Stan Grant’s challenge to Australia: How seriously are you going to take me?

https://www.smh.com.au/lifestyle/stan-grants-challenge-to-australia-how-seriously-are-you-going-to-take-me-20160406-gnzk7r.html

Stan Grant has faced up to prejudice, poverty, public judgment and private agony. Now, the Indigenous journalist says he knows more – and has worked harder – than any of our frontbench politicians. And he’s ready to take them on.

Karla’s wish is Granted

https://www.news.com.au/entertainment/celebrity-life/karlas-wish-is-granted/news-story/db04b5173ffc8889a7021834fc57e264

THREE years ago, Stan Grant whisked his two sons off to live with him and his partner Tracey Holmes in China _ leaving his ex-wife Karla nearly 9000km away from her kids.

Finally, Karla will get them back for good.

The SBS Living Black host, at the centre of a messy marriage breakdown with former Today Tonight host Grant after he was caught with sports reporter Holmes at the 2000 Athens Olympics, will have boys John, 12, and Dylan, 9, back under her roof later before the end of the year.

“They’ve been away for a couple of years now. It has been tough,” Karla said yesterday.

“It’s been a great experience for them in terms of going to school, learning a whole new different culture and meeting kids from all different countries so I think it will help them in the fture.”

Karla, who presented an award at last night’s Deadly Awards, said it had been a mutual agreement with her ex-husband for the boys to join him in Beijing, where he works as a presenter for CNN.

“I’ve got custody of the kids but he asked me if he could take them over there and I thought it would be a great experience for them,” she said.

Karla also added weight to rumours Grant himself may return to Sydney with now wife Holmes and their own son, Jesse, to be closer to his family.

“He’s looking at coming back. I’m not sure whether he’ll be back for good,” she said.

Karla was joined by 19-year-old daughter Lowanna at the Deadlys, where, ironically, Grant’s father Stan Grant Snr picked up the award for Outstanding Achievement in Education for his contribution to preserving the Wiradjuri language.

Other major winners of Indigenous Australia’s highest honour included Troy Cassar-Daley for artist of the year, Anthony Mundine (male sportsperson of the year) and Jamie Gulpilil (actor of the year)

Originally published asKarla’s wish is Granted

COVID-19 threat to Karla Grant’s mother

https://www.sbs.com.au/nitv/article/2020/03/30/its-upsetting-my-mum-there-covid-19-threat-karla-grants-mother

Karla Grant’s mother Elizabeth lives at the aged care facility in Sydney, where four elderly residents have passed away after contracting coronavirus. Karla shares how she juggled reporting on this virus, while her mother is in a lockdown and facing the grave risk of infection.
 By: Karla Grant
30 MAR 2020 – 2:49 PM  UPDATED 8 MAY 2020

At the same time, I have been out in the Redfern community investigating coronavirus or COVID-19, for a special Living Black episode that goes to air tonight.

The strain of juggling personal concerns, with the weight of information I learn on the job has been quite a challenge. On occasions the pressure has bought tears to my eyes.

Karla Grant with her three children and mother.

Karla Grant with her mother Elizabeth and three children, Lowanna, John (left) and Dylan (right).
Source: Karla Grant

This virus has halted life as we know it. It has touched all our lives, at home and work.

At my workplace, virtually everyone at NITV is either working on COVID-19 related content, or they are having to adjust ‘business as usual’ to accommodate COVID-19.

With incredible support from my colleagues, I have carried on working as normally as I can muster under these strained circumstances. The toll has been emotionally and physically draining.

My team and I have all discussed the risks we face of catching COVID-19 while filming and editing this Living Black episode.

We’re all mindful, we are putting our lives at risk in order to produce this story. We all have families at home.

Driving us on is the need to report on how the Indigenous community is being impacted by this killer virus. Our people and communities need to know the seriousness of the crisis and what precautions they need to take to keep themselves, their families and their Elders safe.

I am forever grateful to my team for their dedication, for risking their lives to produce this important episode.

I only hope this special episode on COVID-19 sheds light on the dangers of the virus, how it is impacting the world and most importantly, our own backyard.

And while the last week and a half has tested me, I smiled on the final day of shooting.

I was lucky enough to see my Mum and hear her say ‘I love you Karla’.

It was from a distance, in line with social distancing of course, but it was the most moving and touching moment to see the smile on my Mum’s face, to talk to her and to know that she is doing okay.

For me, distance does make the heart grow fonder.

 

Watch Living Black – Covid19 Special on SBS On Demand. 

 

If you believe you may have contracted the virus, call your doctor, don’t visit, or contact the national Coronavirus Health Information Hotline on 1800 020 080.
If you are struggling to breathe or experiencing a medical emergency, call 000.
Coronavirus symptoms can range from mild illness to pneumonia, according to the Federal Government’s website, and can include a fever, coughing, sore throat, fatigue and shortness of breath.

Living Black can be viewed on on NITV (Ch.34) Monday 30 March at 8.30pm, Wednesday 1 April at 9:30pm and will be available On Demand after the broadcast.

Leonard and Elizabeth Jolley

A Marriage of True Minds: Leonard and Elizabeth Jolley

A Marriage of True Minds: Leonard and Elizabeth Jolley

by JOHN BARNES

I

One of the most unsettling experiences in old age is the discovery, after the death of friends whom you thought that you knew well, that you had been unaware of what had been most central to their lives. We live in an age of revelation, when it is easier than it has ever been before to dig up the past; and the public’s ‘right to know’ is freely invoked to justify intrusions into the private lives of the living. The dead, especially celebrities, have always been fair game: ‘uncovering the past’, ‘telling the true story’, and ‘exposing the lies and deception’ are fairly common claims made by biographers. Less common, perhaps, is the claim to have seen someone’s life in its true proportions and to have seen it whole, though that is probably the claim that most justifies the work of a biographer.

We are now at the beginning of what looks like being an Elizabeth Jolley industry, which will come into full production when her papers in the Mitchell Library eventually become available to the public. In 2008 readers might have thought that in Brian Dibble’s biography of Elizabeth they had the full story of her partnership with Leonard; but in 2012 a memoir, The House of Fiction, written by Leonard’s daughter of his first marriage, Susan Swingler (who, ironically, is likely to be remembered as ‘Elizabeth Jolley’s step-daughter’), has revealed for the first time what the publishers call ‘an ethically complex story’ involving not only Leonard’s tangled sexual relationships but his deliberate deception of his family, with the aid of Elizabeth. Because Elizabeth is a writer, and the relationship between biography and art is a real and legitimate area of discussion, in the media coverage of this book more attention has focused on her than on Leonard. The sentimental image of Elizabeth as (in Andrew Riemer’s phrase) the ‘Grandma Moses of Australian letters’ — a guileless and seemingly unsophisticated housewife who surprisingly discovered an ability to write fiction late in life — is now being undermined by an antithetical image of a calculating and heartless writer, whose life was one long deception. One reviewer of the book even goes so far as to call her ‘ruthless’. Neither of these interpretations comes near the Elizabeth that I knew: a sensitive and caring woman, for whom it was easy to feel affection. Nor do I feel comfortable with the summing-up by Brian Dibble that Leonard was ‘egocentric and arrogant’. I can claim no particular insight into their lives and the motives that determined their actions, but because they were two people who mattered so much in my life and have remained so vividly present in my memory, I want to put on record my version of them. It may be that my impressions of Elizabeth and Leonard as I knew them in Perth in the 1960s have been corrupted, in some measure, by my awareness of her later career as a writer and by the recent revelations; but nothing has weakened the feeling for them formed during those years, when my wife and I came to think of them as ‘family’.

 

II

The Jolleys arrived in Perth in November 1959, shortly before I returned to Melbourne, having been a temporary Lecturer in English at the University of Western Australia for two years. I did not meet Leonard, who had been appointed University Librarian, until I went back to Perth in 1963, by which time the fruits of his work were already becoming apparent. His deservedly high standing in his profession had been enhanced at UWA where he had successfully fought the battle to get greater library resources. Among the significant events in what was the University’s jubilee year was the opening of the library building — the first time that the library had its own building.

On campus Leonard was an easily recognizable figure, and in memory he was always hurrying along, with the aid of a walking stick. Despite the rheumatoid arthritis that had afflicted him early in adult life, causing swollen joints that must often have been very painful, I never heard him complain. On one occasion when he needed physiotherapy for his hand, he entertained us with accounts of the pretty young female physiotherapist who gave him her hand and exhorted: ‘Squeeze it harder, Mr Jolley, squeeze it harder’. I was fascinated at the first graduation ceremony that I attended to see him clambering on to the Winthrop Hall stage in full academic dress and sandals, the sandals which he always wore presumably being easier than shoes on his feet, deformed by arthritis.

By the time that I came to know him, Leonard had become an influential participant in university affairs. He did not hold back in debate, his opinion carried weight, and his capacity for ridicule made some administrators and academics reluctant to tangle with him. I soon heard stories of his scathing criticism of Academic Board proposals that he did not like. As University Librarian Leonard was entitled to attend meetings of the various faculties. He was probably most at home in the Arts Faculty, where his erudite and ironic contributions to discussion were generally received sympathetically; and some time in the sixties there was a move to put him up for the deanship, a move that was thwarted when someone in administration read the university statute carefully, and pointed out that the dean had to be an academic. He was in the tradition of the scholar librarian, and it often seemed to us in the English Department that, for all intents and purposes, he was an academic colleague. He had a scholarly interest in literature, had always read the latest Times Literary Supplement before we had, was always ready with a literary allusion and would slyly test our knowledge of works that he was most familiar with. So close did he become to the English Department that he did some tutoring (without payment) in an English course that included eighteenth-century authors, in whom he had a special interest. Late in the 1960s, when we invited him to join the small committee that edited Westerly, I don’t think that we knew that he had founded a journal, The Bibliotheck, when he was a librarian at the University of Glasgow.

For someone with his disabilities, Leonard was surprisingly gregarious, and had a wide acquaintance across the university. A criticism that has often been voiced about him is that he ‘did not suffer fools gladly’. Should that be a criticism? Should one suffer fools gladly? I have often wondered how those who so freely make that criticism see themselves. Leonard could produce withering phrases when he felt strongly, and in arguments about university administration he may have ‘tossed and gored several persons’ (as Boswell once told Johnson that he had done). For my part, I always enjoyed talking with him and never felt that he was out to wound, though he was frequently acerbic in his judgments. A Time journalist once wrote of student life at Oxford as ‘jousting with England’s finest minds’; and the word ‘jousting’ seems to me to be exactly right to describe Leonard’s way of conducting a conversation. His face lighted up as he greeted you and produced one of his elegantly turned observations and waited for your reply. He gave the impression of being stimulated by contact with other minds, and he was undoubtedly pleased to display his learning. I had taken it for granted that — unlike myself — Leonard was from a well-educated family; but Susan Swingler reports being told by his sister ‘how ill-educated his family had been and how driven he was’ [p.132]. Knowing now that his grandfather had been illiterate, and his father an autodidact determined that his children should have the best education, I find myself thinking that what some have may have regarded as Leonard’s pedantry or showing-off was a form of self-affirmation.

I quickly got to know Leonard at the university but it was a couple of years before I could say that I knew Elizabeth. The first occasion on which I went to their home was memorable for personal reasons. A few days beforehand, I met Leonard on the campus and told him that I would withdraw from the dinner party to which I had previously accepted an invitation, as Josephine and I had decided to announce our engagement that day. He urged that I should bring Josephine, whom he had never met, and so our first outing as an engaged couple was at the Jolley house in Claremont. It was a very happy occasion, with Leonard toasting us with a shy smile and Elizabeth making us feel that we were old friends of hers. After our marriage at the end of 1965 we lived only a few streets away and saw them often. There was a generational difference, but when we moved to Melbourne in 1970 they were among the Perth friends whom we knew we would miss most.

 

III

‘My mother is a very strange person’, remarked Sarah, Elizabeth’s eldest daughter, one day while standing in our garden at Warrandyte….

 


John Barnes is Emeritus Professor of English at La Trobe University. This excerpt has been taken from an edited version of an essay to appear in Partial Portraits: Essays in Remembering, a work in progress.

You can read the full version in Westerly 58:2.

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